Claude's mirror was used in the 18th century and allowed to see the surrounding space in a more romantic light. The device also included filters of different colors, to which the colors of the prints refer us. The series is devoted to the excessive romanticization of the landscape, leading to its absurd forms, obtained by referring to the effect of multi-exposure when shooting on 35mm film.

The project was implemented within the framework of the program «Photobase» of the Center for Artistic Production «Vaults» GES-2

Humbichromatic print, cotton paper.
56 x 76 cm each